Monday, September 28, 2015
I'm thankful Lee spends so much time on each novel, sending me back to re-read each one with her inflated examination of the plots and characters, settings and sources.
If anything, Lee might inflate them too much-- she might take something away from the strength of the novels of themselves by explaining their silences. But Lee is at least aware of this double-edged sword.
Her omissions -- her silences -- her concern for the failed lives of individuals -- the irony and comedy of her persistent narrative voice -- thrilling.
Friday, September 25, 2015
Thursday, September 17, 2015
Sunday, September 13, 2015
Thursday, September 10, 2015
Tuesday, September 08, 2015
For the characters in Purity are monotonically neurotic and unloveable.
a la Dickens, the opening, central character, Pip (short somehow for "Purity") is an orphan without knowledge of her fortune.
Franzen searches for the zeitgeist of our times, and comes up with the Internet. The moral seems to be that in a world where all information is global and transparent and available to all, we know less about ourselves.
He can write with great emotion but has chosen a somewhat rarefied (and loathesome) group of characters to bring to life -- the mothers and fathers pictured, almost without fail, are satanically bad parents.
natural description extraordinary
for a novel that centers on "high tech," and Wiki-Leaks-like network infiltration and security hijacking, the novel is remarkably un-savvy about tech, relying on "googling" and "databases" and "face-recognition software" in the most general usage for most of its sleuthing.
relationship between Pip and her mother (Annabel), her eventual father (Tom), and the leader of the SunShine Project (Andreas Wolf)
Andreas Wolf's childhood in East Germany and his relationship with Annagret
themes: power, feminism, secrecy vs. openness