The Voyage Home by Pat Barker

 

Marvellously imagined retelling of the story of Agammemnon and Clytemenstra, from the viewpoint of Cassandra's slave.

Thoroughly modern voice and attitude, with no "classicalisms" used to make it seem like Ancient Greece.

A Long Way from Verona by Jane Gardam

 

A 12 year-old girl knows she is different and somewhat exceptional and wants to be a writer. Amazing as usual.

The Hollow Land by Jane Gardam

 

Charming "children's book" that is much more sophisticated than that term implies. A London "town" family has a summer/vacation house in the Lake District, under the Cumbrian fells. They begin a long-lasting relationship with a "country" family. Beautiful landscape after beautiful landscape: abandoned silver mines, fields of icicles, menancing sheep and sympathetic gypsies. Another stunner from Gardam, who never wrote a bad or lesser book.

Behind the Scenes at the Museum by Kate Atkinson

 

Novel where one story (the birth and life of the narrator (in mid-20th-century) takes places in the chapters and her relatives' back-story appears in the lengthy footnotes (which are often as long, or longer than the chapters.)

Another winner from Atkinson. I'm totally impressed by her - and had read nothing before the short stories last month.

The backstory in footnotes seems tedious at first, and confusing, but soon takes over in momentum, as the narrator's mother's generation and grandmother's generation are pulverized by the World Wars.

Unhappiness could be relied upon in a way that happiness never could. [86]