Fantastic lost classic of the 1960s. Farina takes on the end of the Beats era and the coming of the hippies.
To say it's ahead of its time is to understate the matter completely. Farina's prose is ur-Pynchonian. The inappropriateness of the sexual posturing is beside the point. Complete versimilitude of the unhinged, drug-addled young ambitious tormented mind.
Still plodding through this. By the middle some of the gorgeous language surprise of the beginning has begun to wane - the plot itself is a little limp and undergrad hi-jinks ish.
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