Anyway, it was just as good this time around - couldn't put it down, even though I'm in the midst of reading several other books. Part adventure story, part mystical journey, partly (rather boring) history of South Pole journeys.
The ending is particularly dramatic (not that all the starvation, murder, shipwrecks that precede it are UNdramatic), with its quasi-spiritual white clouds and whitening water and giant white human figure that rises up out of the mist.
Great analysis of the Iraq Wars.
Amazing opening essay about a man dying in an apartment fire.
Came for the Wallace imprimataur, and it's ringing true.
This was what the literary world did now, I reminded myself, they celebrated stupid novels for stupid reasons.
Not very compelling single day single consciousness pov of someone not writing.
Born in 1926, died in early 1950s, socialite, in the Frank O'Hara orbit of New York poets - she reminds me of Medbh McGuckian somewhat, the obscurantist Irish poet.
The Suicide
by V.R. Lang
Shocked that she missed the footbridge! She cried out,
But no later than the water she fell in and drowned in;
God help me, they tell us she shouted, but she had no sovereign --
No one at all to order her out of the water.
Now the animals have charted the land for their reasonable holiday;
All have appointed this time to be there to see them.
Photographers capture each other -- the carnival quickens!
The spectres, the hawkers, the talkers, the damned are all there.
At the Meeting of Two Families
by V.R. Lang
Who were the assasins that came to get you?
Six of them coated in black and silently smoking --
Slithering quiet like empty clothes
Alert to the dark, from hangers.
Who were they that came to watch you?
Chewing cigaretts they looked at you, they looked at me.
What in a hay moon hovers and waits like a bag
With a man in it? Why did you make
Your face like a Japanese mask of terror to style?
Limply arranged they waited, just waited.
As always I gave back your terror, I felt it --
I grimaced, aped it, then flashed it to you.
And we stared at each other and back to our inerlocutors,
The bareback riders from kingdom to kingdom --
You knew them, I knew. You remembered.
Why is your dark like a bag with a man in it?
In the moment of panice, hardly anything happens,
But nothing is true. I remembered, I knew.
I cried out, and the light broke. Your family
Pronounced me charming. My love, my love,
We will scratch all over the dusty earth crawling
The way out of dread we've no name for, could not tell.
We will come to dread all we own, as well --
Till you make and weep, till you break the spell.
25 Years
by V.R. Lang
We got through this year and nobody;
We got through this year and perhaps.
On the day of the white crow somebody
Will kiss us and keep us, but this was not this year;
This year is over and nobody; this year is next year now.
Here is the hole in the wall. Here we peek.
Here is Chanticleer. We shall do everything but speak.
We shall bless, address, abuse -- we shall not speak.
Had we to love or were we at fault?
We were confused, affection or assault
Proved only beasts will eat themselves or anything:
Let us join hands and dance around the naked king.
This year the creeping itch was apparent in the left hand,
This year perhaps it will sneak to the right, we will see.
The eye shivered at the slack it saw it did not understand;
The white crow never came to kiss us under the pear tree.
Twenty-five are pinching parents, poppy-addled, fed-on-us--
We wept our dusty latter thoughts, we stretched and scrabbled loose.
O! the day of the white crow will come, when it will come it can;
Then shall we shake our sticks, o years, in wicked triumph then.
from "Poems to Preserve the Years at Home"
by V.R. Lang
Tuesday when you opened your eyes your
Room was a cold disaster. Arranged
Around you, its own disorderly life
Took stock of you like a crazy pendulum
Swung over your head like a demonstration
In a science museum, your hands were numb,
All the pieces of you clunb to the bedclothes
Like a broken promise, sorrow sticking to the cracks
Till you sat up and the floor went dizzy.
You did not go near the mirrow, you fed the cat
But it went on weeping, and you had to sit down.
Still all that day you were followed by your
Tall still angels, walking like trees.
You had no choice but to lead them, and twice
You listened, and once, you smiled.
Some days the days for providence we wak
Up taller than the telephone, our eyes more harsh and black,
And even its screaming cannot shock us.
Some days we wake up the Act
Which casts a shadow on the infinite plane
of suggestion, we become our Agents,
Pay our rent and sort the laundry,
Make appointments, go to market,
Lay in stores with strange, beleaguered haste.
Some days our guardian days we
Go gladly into one dimension;
These days our days are not our dominion
But our deliverance, practical and moral.
On these days only motion casts a shadow.
Re-reading in honor of the late great Northwestern Professor Paul C. Edwards, who died on October 15 at the age of 75, of alcoholism and grief. He staged this in the mid-1980s with Alchemy Theatre Company of Manhattan, which I was a member of in its first formative lackluster year. I left group just in time for them to successfully mount BOVARY.
Salve, magister!
Oyeyemi's prose style is unsettling and brilliant - surprising, obscure, eccentric, funny all at the same time.
I'm only up to Wednesday (Kinga-C is narrator) but liking it more and more, after being put off by the Monday narrator's verse for awhile. All will be revealed, I hope.
11/5/2025 - Up to Friday (Kinga-E) now and still confused but trying to complete the journey. Oyeyemi's style is cutting and intelligent, but I don't always follow. Oh well.
Return to Barry after some months. a young Irishman signs up for WWI and ships off to Belgium. An exruciating four years is served, his loyalty to Ireland and to the British crown, his father and his girl friend and his faith, are all tested. Unshockingly, the war takes everything from him. Descriptions of mustard gas attacks are particularly terrifying.
Spies, counter-spies, and maybe counter-counter-spies. I got lost but enjoyably!
This one is slow going - a thalidomide quad electronic repairman and the architect of a nuclear holocaust, among other characters. Fascinating as always.
Picks up speed halfway through, as we are suddenly jetted into the future - the late 1980s - from the 1972 starting point when a couple is launched into orbit, and a global thermonuclear war suddenly and literally explodes.
In the 80s, we pick up with survivors, who live their cultural life via nightly transmissions from the orbiting vessel, where the man (who was quickly widowed after the launch, reads aloud from his digital library. Animals have mutated and grow in intelligence, there is a barter economy, and local law and order (and violence).
