The Bushwhacked Piano by Thomas McGuanebath

There was nobody here to make him see the world as a mud bath in which it is right tough to keep showing a profit. He invented a joke to the effect that blood was always in the red and death was always in the black; and thought: What a great joke! (35-36)

In the past, he had run up and down America unable to find that apocryphal country in any of its details. His adrenalin cortex spumed so much waste energy that a lot of amazing things happened. And he deliberately changed his highway persona day by day; so that, across the country, he was variously remembered for his natty dress, for his opposite of that, for his persistent collection of “data,” for his arbitrary and cyclonic speechmaking, for his avowed devotion to his mother and father, for his regular bowel movements, for his handsome rather loosely organized mock-Magyar face, for his tiny library and transistorized machines locked away in ammunition tins, for his purported collection of the breakfast foods of yesteryear, and for his habitual parabolic coursing through the U.S.A. with attendant big trouble, pursuits and small treasured harbors of calm or strange affections along traveling salesman lines, facing enemies with billboard-size declarations of a dire personal animus, cluttering hundreds of small midland streets with regrettable verbs and nouns, sharp ones, heavy ones and ones which made barricades and tanktraps in peaceful summer villages where no one was asking for trouble.

In most ways it had been an awful strain, one he’d been glad to finish. Now, being on the verge of it again, he felt an uproarious tension in his mind. (40-41)

Beautiful Worl, Where Are You by Sally Rooney

 

I have similar complaints about this novel to the ones I had about her NORMAL PEOPLE of several years ago.  But that one I ended up liking. This one is too much. The dialogue is simply not credible -- not to mention the tediously long, trumped-up email/letter exchanges. No one speaks like that. And her cast of characters are some loathsome, self-obsessed, privileged folk.

Nothing happens in this book except for dialogue, and some sex. Way too much dialogue and not enough sex. Although some of the dialogue is about sex, which I suppose should count fractionally to her credit.

The three childhood friends, two women and a slightly older man, and one other man, circle each other warily in a fog of hurt feelings, disappointments, and subtle reprovals. The character Felix, who seems to work in an Amazon-like distribution warehouse, is the closest thing to a real-life blue-collar class struggler we get. And his biggest injury is a paper cut. The famous novelist Alice apparently had a serious nervous breakdown and continuing psychiatric problems mostly because of her success and the way she has legions of fans who think they know her and think they love her or hate her. Boo hoo.

That said, she has a crystalline prose style.

To those who would say she is the millennial generation's Henry James - well, ok, no one said that, and I'm just saying that for straw man fun - I would say, There is something to her inquisitive rational dissection of human feeling and emotion that recalls the master.

How much of this is sour grapes, my envy at Rooney's success? 33 to 37%. How much of this is being spiteful for fun? 8%. I should write more, if I truly dislike it that much, or should not have written at all.  It's a draw.

Key West Writers and Their Houses by Lynn Mitsuko Kaufelt

 

So far I've only read the Thomas McGuane entry (natch) where I discovered his personal favorite among his novels is PANAMA, which is also the least well-known, and also, coincidentally, my favorite. 1986 publication that might well have changed from McGuane, but not for me! Black and white photos. Xmas gift from my dear friend Steve Hayes.

Arcadia by Lauren Groff

 

Hippie commune novel. Acclaimed. Withholding judgement. Elegant writing so far, but slow going.

Filthy Animals by Brandon Taylor

 

Disliked first story, liked second story. Stay tuned.

The Invisible Man by H.G. Wells

 

Hesitate to call it science fiction, as it's a very realistic social commentary on what we would do if an invisible man was in our midst. Particularly like the IM's Beckettian slave Mr. Marvel, whom he enslaves to carry around all the money's he's stolen, as the IM can't carry stuff. And so on.

Artemis by Andy Weird

 

Underwhelming. Least favorite of his three novels. His "female narrator" voice not convincing.

War of the Worlds by H.G. Wells

 

We Have Always Lived in the Castle by Shirley Jackson

 Terrifying cover but story not that scary.

No One is Talking About This by Patricia Lockwood

 

Lincoln in the Bardo (audiobook) by George Saunders

 Amazing complement to the the printed volume. The voice of Megan Mullaly alone is worth the price of admission. Nick Offutt also brilliant. 164 other voices, if one can believer the liner notes. A truly towering achievement, in addition to the towering achievement of the novel itself.

Caste: The Origins of Our Discontents by Isabel Wilkerson

 

The Secret Speech by Tom Rob Smith

 

Project Hail Mary by Andy Weir

 

The Secret History by Donna Tartt

“Why does that obstinate little voice in our heads torment us so? Could it be because it reminds us that we are alive, of our mortality, of our individual souls – which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one’s burned tongues and skinned knees, that one’s aches and pains are all one’s own. Even more terrible, as we grow older, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that’s why we’re so anxious to lose them, don’t you think? Remember the Erinyes?”

Gorgeously written, leaden and long, and pretentious,  but I couldn't stop reading. A lesson to be learned about writing melodrama, page-turnings, etc. What we know about each insufferable main character is not enough to distinguish them one from another, except for Julian, their magister, who remains mostly hidden from the action but limned in by indirect reference.

James Wood of the London Review of Books gave it a mediocre review, writing: "The story compels, but it doesn't involve...It offers mysteries and polished revelations on every page, but its true secrets are too deep, too unintended to be menacing or profound."

Bewilderment by Richard Powers

 

The Red Badge of Courage by Stephen Crane

 

Why I'm just getting around to reading this now we'll never know. Pretty amazing, atmospheric, psychological novel about a young man's first days serving in the Civil War. Completely unconventional. Almost all of the plot is mental, internal.

In the present, he declared to himself that it was only the doomed and the damned who roared with sincerity at circumstance. Few but they ever did it. A man with a full stomach and the respect of his fellows had no business to scold about anything that he might think to be wrong in the ways of the universe, or even with the ways of society. Let the unfortunates rail; the others may play marbles. (p. 83, Bantam Classic, 2004)

Sabbath's Theater by Philip Roth

Loved this first time I read it, when it came out in 1994. First Roth (along with American Pastoral) that I felt was really had serious scope, family history, character depth. Also enjoyed is this time around, but the sex continues cringey.

The mad puppeteer Micky Sabbath loses his shit. In swirling flashbacks he relates his several wives, his stunted 1960s career as an obscure genius actor and performer, then pushes back to his childhood in the 30s and 40s in Jersey and the pivotal, inescapable loss of his brother Mortie in WWII.

When We Cease To Understand the World by Benjamin Labatut

 

Blacktop Wasteland by S. A. Cosby

 

Harpo Speaks! by Harpo Marx

 

Ohio by Stephen Markley

 

Great, thoughtful novel: high school reunions and the effect of the Iraq War on America in the early 21st century.

While hollering and breathing so long so deep

Memory came on and dove down to my sleep 

Dreaming this memory of space all around

Silence becomes breath becomes thought becomes sound.

John Hardee

He thought of the sudden pressure in his eardrums when the bomb went off beneath the wheels. The screaming pain in his skull and how the world abruptly went half-dark. Three tours. He gave his youth to the dust of those theaters. An eye, some skin, blood, and hair, and his ability to walk more than a few miles without a crippling pain in his knees and an ache in his spine that made him feel seventy years old. On tour #3, the day before the incident on Highway 1, he was reading about Ohio’s place in the Civil War and came across a quote about a Union general: At the sight of these dead men whom other men had killed, something went out of him, the habit of a lifetime, that never came back again: the sense of the sacredness of life and the impossibility of destroying it.

 Then you get tired and lie down and wait for the medevac. A part of you is sickly impressed with how the enemy orchestrated all this. They got you good this time. You figure your life is over, but the investigation will clear you easily. You saw a threat in the cell phone boy and removed it from your section. The bullet Rudy took to the head—a 5.56mm piece of U.S. hardware—it turns out that came from extra ammo carelessly left in the rear cooking off in the heat. And lying there in the dust, head buzzing from the burning fuel, the wind smoldering with black smoke and ash trailing to a seared pink twilight sky, you understand that something’s gone out of you, the habit of your lifetime. Any notion of the sacredness of life or the impossibility of destroying it. You go over to what’s left of your friend, sit down, bleed from your face, and wait for some rescue. [p. 358]

Source: Theses on the Philosophy of History (1940), IX Context: A Klee painting named ‘Angelus Novus’ shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing in from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.

Source: https://quotepark.com/quotes/1938988-walter-benjamin-this-storm-is-what-we-call-progress/

Paul Klee "Angelus Novus 1920" Poster

Thirst for Love by Yukio Mishima

To me this is a false diary, although no human being can be so honest as to become completely false. (p.17)

The Humbling by Philip Roth

 

Interesting start, describing a distinguished actor in his 60s who loses the ability to act. Sort of devolves into a pervy Roth sex fantasy though. Not that that stopped me from finishing it. Movie with Al Pacino supposed to be good, looking forward to watching it.

Who is Maud Dixon? by Alexandra Andrews

 Pretty good literary whodunit. Along the lines of THE PLOT.

The Five Wounds by Kirstin Valdez Quade

 

Really great, surprisingly moving story of a family in New Mexico: grandmother dying of a brain tumor that no one else knows about, singe unemployed alcoholic father trying to get it together (plays Jesus in Passion play at local morales, has actual nails hammered into his palms), his sixteen year old pregnant daughter trying to get her life together. Very fine, close writing.

Homeland Elegies by Ayad Akhtar

 

good, strange mix of fiction and memoir.

The Index of Self-Destructive Acts by Christopher Beha

 

Night Boat to Tangier by Kevin Barry

 

Lady in the Lake by Laura Lippman

Loved this. First of Lippman I've read, will seek out others. 1960s Baltimore, a 36 year old Jewish woman leaves her husband and seeks a career as a crime reporter, stumbling over clues to an  African-American woman's crucial unsolved murder.

Oldest Living Confederate Widow Tells All by Allan Gurganus

 

Gurganus was Cheever student, along with TC Boyle. Fun fact. Cool book so far, if shaggy.

The Invisible Live of Addie LaRue by V. E. Schwab

 

Interesting concept but her exhaustiing prose is super-stuffed with melodrama. And I LIKE melodrama, but not to drown in it. At the critical juncture of page 60, but may not continue.

Bullet Park by John Cheever

 

JC has said of Bullet Park, "I'd like to write a gothic novel without being caught in the act."

I loved this one, even though the final 10 pages or so are ridiculously fast-paced, after a completely langorous setup.

Some reactions: 

Granted, Bullet Park is a strange performance, and it was a bad sign that even reviewers who were nothing but well disposed to Cheever seemed a little puzzled. A few months before her review appeared in the Washington Post Book World, Joyce Carol Oates had been quoted as saying that she was Updike's and Cheever's “ideal reader” (“whatever they write I read immediately, and I read it again two or three times”), so it made sense perhaps that she and Updike were en rapport in regard to Bullet Park: neither thought the book amounted to a novel, properly speaking, but rather that it worked (as Updike wrote in the London Times) “as a slowly revolving mobile of marvellously poeticized moments,” or, as Oates put it, “a series of eerie, sometimes beautiful, sometimes

overwrought vignettes.” Oates knew better than to worry whether the plot was “convincing” or not, pointing out that Cheever was if anything bent on making his plot as outlandish as possible; and yet, for all the novel's seeming absurdity, said Oates, it conveyed a sense of “terror … as deadly, more deadly, than any promised in the glib new genre of ‘black comedy’ Cheever has been writing such comedy for decades.” John Leonard, whose review appeared in the daily New York Times, also realized that conventional narrative was beside the point, and praised the novel as Cheever's “deepest, most challenging book.” And finally a synthesis of sorts was found in Anatole

Broyard's New Republic review, which suggested that the book was a little too fraught with oddities, that Cheever had apparently gotten carried away by his own virtuosity: “He is determined to be surprising or original, even at the cost of incredulity.” [p. 209, Bailey, CHEEVER: A LIFE]

John Gardner wrote a long vindication of the novel for the Times Book Review, declaring that its detractors had been “dead wrong”: “Bullet Park is a novel to pore over, move around in, live with. The image repetitions, the stark and subtle correspondences that create the book's ambiguous meaning, its uneasy courage and compassion, sink in and in, like a curative spell.” [p. 212, Bailey, CHEEVER: A LIFE]

The Slob by Aron Beauregard

 

Reminder to never get book recommendations from TikTok.

Home Before Dark by Susan Cheever

 

Interesting companion book along with John Cheever's own fiction in journals. SC is a bit of a poseur, but she quotes eloquently from her father's writing and from what others wrote about him.

"He was a man who made his own world in relative isolation from most of his kind,"  my brother Fred wrote when I asked him to put down what he remembered about our father. "As a result he had to live with his own impulses and perceptions in ways that most of us can avoid. No one, absolutely no one shared his life with him. There was no one from whom he could get honest advice. Of course this state of affairs was very much his own doing, but it must have been hard sometimes." (p. 154-155)

'My incantation has changed,'' he wrote in 1969 after ''Bullet Park'' had been panned by the critics and his alcoholism was worse and most of the money was spent. ''I am no longer sitting under an apple tree in clean chinos reading. I am sitting naked in the yellow chair in the dining room. In my hand there is a large crystal glass filled to the brim with honey colored whiskey. There are two ice cubes in the whiskey. I am smoking six or seven cigarettes and thinking contentedly about my interesting travels in Egypt and Russia. When the glass is empty I fill it again with ice and whiskey and light another cigarette although there are several burning in the ashtray. I am sitting naked in a yellow chair drinking whiskey and smoking six or seven cigarettes.'' (p. 155)

If He Hollers Let Him Go by Chester Himes

Brutal brief book. Four days in the life of a blue-collar black man in LA during WWII. Angry, intelligent, heart-rending.

But the words kept on in my mind. I got a hard, grinding nonchalance. To hell with everybody, I thought. To hell with the world; if there were any more little worlds, to hell with them too.

Falconer by John Cheever

 

I swear I read this when it was published with great fanfare in 1977 and I was sixteen years old. Hipster. Scenester. Had I a clue about what it was? Doubt it. I remember admiring it. Or perhaps admiring myself for finishing it.

And Then There Were None by Agatha Christie

 

Great as usual.

How Music Works by David Bryne

 

Fascinating breakdown of music by a fascinating musician.

A Swim In a Pond in the Rain by George Saunders

 

The Journals of John Cheever

 

The Wapshot Scandal by John Cheever

 

A marvelous sequel to The Wapshot Scandal, Dave Eggers bizarre foreword notwithstanding. (Eggers gives his mailing address for some reason.)

The distant mountains had been formed by fire and water but the houses in the valley looked so insubstantial that they seemed, in the dusk, to smell of shirt cardboards. (p. 34)

"Listen, chicken," Murphy said, "Where I grew up you either helped yourself or you ate dirt.” “But this doesn't happen to be where you grew up,” said Coverly. It was the wrong tack." (p.34)

Shuggie Bain by Douglas Stuart

 

The Plot by Jean Hanff Korelitz

 

nice plot!

Leave the World Behind by Rumaan Alam