If Maryland ain't pretty country God's a girl. [151]
Two gay soldiers raise a Native American girl they orphaned. One cross dresses for their years in vaudevill.
They fight in the Indian Wars and in the Civil War. They farm and travel. Everything about Barry's prose style continues to delight, confound, and elude me - how does he do it? Echoes of Faulkner and Cormac McCarthy and maybe Melville. Can be arduous for short periods, but his characters and journey-plot always come back to save one.
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